Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Sunday, December 20, 2009

GESCHLECHT IN FESSELN / SEX IN CHAINS (1928)

In this late silent German film, the story line lives up to the provocative title, but the director, Wilhelm Dieterle early in his career, isn’t able to integrate the stylistic flourishes he attempts. There’s enthusiasm, but not much control. Even so, the subject matter is so surprising for 1928, that you can’t help but be drawn in. Dieterle, who would go to Hollywood and become an Oscar winning William, stars as an over-protective husband who punches a drunk who is flirting with his wife at a nightclub. The man dies of his fall and during a three-year manslaughter sentence, the couple each succumb to their pent-up sexual needs. She gives in to her insistent boss while Dieterle finds not just sex, but a deep, affectionate love with a prison-mate. The film is largely a cri de coeur advocating conjugal visits, but it’s still pretty unexpected material, even for Weimar Germany. The restored print is in good shape, but you can significantly reduce ‘blasting’ on the faces if you dial down your brightness & contrast levels. Improving the sub-par piano score is not so easily resolved.

No comments: