Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Friday, October 15, 2010

REAP THE WILD WIND (1942)

Paulette Goddard was David O Selznick’s second choice for Scarlet O’Hara in GONE WITH THE WIND/’39, but she was Cecil B. De Mille’s first choice for this rip-off. Ostensibly, this is a typical C.B. historical set in the bustling, semi-legal ship-scavenging trade off the Florida coast in the 1840s. He-man John Wayne (who’s hemmed in by De Mille’s framing) & foppish Ray Milland (who’s very good) fight over assignments and the feisty Paulette; Robert Preston & Susan Hayward pitch woo over the objections of villainous Raymond Massey who’s masterminding the shipwrecks; and the Paramount effects department struggle to tame the pudding-rich TechniColor, the cute ocean-going miniature vessels and a righteous giant squid. De Mille was at his most ridiculous in the 1940s, so you expect the phony camera tricks (they match up with his phony characters & dialogue), but the accumulation of swipes from GWTW, especially in the first half, is a bit much. And if you think Goddard would have made a rotten Scarlet, just imagine a C.B. De Mille GWTW! ‘Thou Shalt Not Covet Thy Neighbor’s Picture!’

No comments: