Now With More Than 3600 Reviews! Go Nuts - Read 'Em All!!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; over 3600 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' of your choice in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGGER Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Monday, March 24, 2014


The smell of defeat is in the air (and on all the faces) right from the start of this non-starter, a late work from the more typically effervescent Harold Ramis.  A would-be Elmore Leonard tale of ineffectual swindlers, John Cusack’s the low-level mob lawyer who partners with Billy Bob Thornton’s strip club operator to skim a couple of million bucks from a shady client. What could go wrong? The first clue is in the credits. With script credit going to Richard Russo & Robert Benton, you have to assume that the writing/directing team of the superb uncategorizable NOBODY’S FOOL/’94, and its middling noirish follow-up TWILIGHT/’98, had their own plans for this, but couldn’t get it off the ground. Enter Ramis. It’s too self-conscious to take flight, though some grisly doings in the middle have a bit of remembered flair from early Joel & Ethan Coen. If only there was a fresh idea in the mix. As it stands, every time the lighting goes sultry for femme fatale Connie Nielsen, you wonder what audience demographic this could possibly play to.

WATCH THIS, NOT THAT: As Sidney Lumet showed in his swan song, BEFORE THE DEVIL KNOWS YOU’RE DEAD/’07, there’s still life in this sort of thing. Or, you could see how the Coen’s breakthrough pic, BLOOD SIMPLE/’84 is holding up.

No comments: