Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Sunday, February 11, 2018

HANS CHRISTIAN ANDERSEN (1952)

Sam Goldwyn’s big family musical, with its fine Frank Loesser score and idiotic plot, looks weirder than ever. Co-star Farley Granger called it a Boy Meets Girl/Boy Loses Girl/Boy Gets Boy story. He’s right, but doesn’t go far enough. Goldwyn spent two decades trying to get a script till B’way sophisticated hit-maker Moss Hart gave him what he wanted, going back to Myles Connolly’s original whimsy for a storyline. Andersen, a decidedly odd duck in real life, is made into a dreamy cobbler, making up tales for school kids before skipping town with his orphaned fawn-like assistant to head for Copenhagen. (Mispronounced in dialogue & song with a ‘soft-A’ vowel.) Once there, he’s sprung from jail (don’t ask) to solve a ballet slipper crisis; fall for lovely star dancer Zizi Jeanmarie; and misread her hot-and-cold relationship with company manager/hubby Granger. (Note the shared double-bed! A Post-Code first?) Eventually, Andersen writes a ballet story for her (THE LITTLE MERMAID), but returns to his village (with fawn-like companion) to regale cuddlesome children & forgiving parents. Director Charles Vidor seems utterly lost on the Pop-Up Picture-Book sets (out of a touring operetta company?), and even Kaye (charming in all his songs) seems testy with some of the kids. He also swiped the one song meant for Granger & Jeanmarie - ‘No Two People’ - knowing a breakaway hit when he heard one. Star’s prerogative.

ATTENTION MUST BE PAID: That’s Jeanmarie’s husband, Roland Petit, choreographer/partner in the Liszt-scored MERMAID ballet. But the standout dancer is in the Schubert-scored Ice Skating Ballet where Jeanmarie’s partner completely pulls focus off her without even trying and with little to do. Called ‘The Hussar’ in the credits, it’s Erik Bruhn and you’ll instantly see what Rudolf Nureyev saw in the guy; the very definition of ballet dancer noblesse.

DOUBLE-BILL/LINK: To see Kaye & a gaggle of delightful school kids, there’s MERRY ANDREW/’58, his underrated charm-fest chamber musical.  https://maksquibs.blogspot.com/2011/04/merry-andrew-1958.html

No comments: