MAKSQUIBS CINEMATHEQUE: THE BIG COMBO (1955)

LABELS

There are (currently) eight different LABELS to look for on MAKSQUIBS.

CONTEST - Win a review of any available DVD or 'Streamer' of your choice* if you're the first to answer a Q attached to one of the write-ups. Please refrain from either Googling or searching for an answer via IMdB or other web movie services! These contests are plenty easy to solve just be using your little grey cells.

RECOMMENDED - Meaning Strongly Recommended. A film that's good enough or historically important enough to demand viewing. WARNING: A few real stinkers are important enough to rate this label. And, on the other hand, lots of pretty good or pretty valuable films, don't quite measure up to our RECOMMENDED level. (See also UNIQUE, below.)

FAMILY FRIENDLY - CAREFUL!! Not necessarily a KIDDIE pic, but a film that school kids may get into if the subject interests. You'll find foreign & silent pics in here as the need to read the sub-titles & inter-titles to follow the narrative and get all the jokes does wonders for ADD types.

LINK - To quickly find any Write-Up that includes an InterNet Link of interest for that specific film.

UNIQUE - Films that may not fit into the usual critical categories of Good, Bad or Indifferent, (certainly not indifferent!), but are worth watching because there just ain't nothing like 'em. Sui generis pics. (Phooey generis if they don't work for you.)

READ ALL ABOUT IT - While there's a book or two (or ten dozen) closely related to just about any film you might think of, here's a specific book you might not have known about (or thought of) that opens a window on the chosen title.

SCREWY THOUGHT OF THE DAY - A place to vent those out-of-left-field thoughts.

POSTER - Hmm, I bet you can figure this one out.

(Hint: most of the posters will enlarge if you click on them.)

WATCH THIS, NOT THAT - sort of like those EAT THIS, NOT THAT diet books only with film instead of food as the topic. Sometimes, the substitute pick isn't the obvious 'better' choice, but one of those 'flawed-but-interesting' films that often get left behind.

ATTENTION MUST BE PAID - some easy to miss element worth noting.

SILENT FILM - hey, figure it out (LOL)

. . . and DOUBLE-BILL - a suggested second feature.

To bring up the complete list in any of these categories, simply click on one of the LABELS when you come across one and everything with that designation will come up when the page reloads. Just scroll down. There's also a LABELS list near the bottom of all the pages.

Please let me know if there are any other LABELS you'd like to see.

AND YOU'RE DOING ALL THIS BECAUSE . . . ?

Like just about everyone with an interest in the movies, I'm watching more films on DVD and going out to movie houses a lot less. Convenience trumps the better experience.
Of course, you lose audience interaction and the poor film now has to compete with all the comforts of home.
It's a bit like seeing Rembrandts & Titians in a book reproduction, or from posters with iffy color values, no texture or weight to the surface and the wrong dimensions . . . all while snacking on chips & soda. (Oops! You get that at your local cinema,too.)
The ease of instant movie gratification risks turning an art form (well, sometimes) into little more than low-grade eye-candy & mindfodder. So, maybe it's worthwhile to write a bit down on what we're all viewing, just to keep fully engaged.

DVDs: the latest opiate of the people meets the internet, where everyone's a critic.
God help us.

Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Wednesday, December 19, 2018

THE BIG COMBO (1955)

Atmosphere trumps plot in this one. B-pic specialist Joseph H. Lewis neatly handles the mob story tropes & chores (adding a few daring sexual touches along the way) as obsessed police Lieutenant Cornel Wilde (with those big, brown puppy-dog eyes) goes over budget and over-the-top on a one-man mission to take down Richard Conte’s Mr. Big mob guy.* Wilde's just as obsessed with Conte’s sleepy-eyed gal Jean Wallace, a fading glamour-puss who loathes, but can’t leave her lover. (And what a lover with Lewis filming Conte in a manner to suggest oral pleasures never before seen on Stateside screens.) Brian Donlevy has a memorable turn as Conte’s hard-of-hearing aide, while Lee Van Cleef & Earl Holliman find a gay angle to their pair of enforcers. But what really makes this one sing is cinematographer John (‘Prince of Darkness’) Alton who simply tears the film noir joint apart with darkly etched low-key/contrasty lighting. Talk about thru a glass darkly!

LINK: A glistening print (from TCM) is currently on youtube. Grab it while it lasts! https://www.youtube.com/watch?v=iIkCXF9Y4ow

ATTENTION MUST BE PAID: *Actually, a two-man mission with Wilde’s right-hand man, sad sack character actor Jay Adler, in one of his best roles.

No comments:

Post a Comment

A last thought before we go.

Well, enough from me. But before we sign off, here's a great quote from Emile Zola's L'OEUVRE (THE MASTERPIECE), which is about painting rather than the yet to be invented medium of film, but which points a fine critical eye toward the whole idea of art criticism. It's a good, if chilly, thought to keep in mind, especially when you surf the net.

"Has it ever struck you that posterity may not be the fair, impartial judge we like to think it is?

"Suppose the artist's paradise turned out to be as nonexistent as the Catholics, and future generations prove just as misguided as the present one and persisted in liking pretty pretty dabbling better than honest to goodness painting. There are some accepted masterpieces for which I myself wouldn't give a twopenny damn.

"Classical training has given us a wrong view of everything and forces us to acclaim as geniuses a lot of fellows who are no more than well-balanced, facile painters, while what we might really prefer is the work of more emancipated but less even artists known only to an initiated few. Immortality at present depends entirely on the average, middle-class mind and is reserved only for the names that have been most forcibly impressed upon us while we were still unable to defend ourselves...

"Perhaps that's the sort of thing that's best left unsaid. It's certainly the sort of thing that gives me the shudders!"- Emile Zola

MAKSQUIBS CINEMATHEQUE

Translate

ERNST LUBITSCH

LABELS

Blog Archive

AND YOU'RE DOING ALL THIS BECAUSE . . . ?

. . . a brief note on abbreviations . . .

About Me

Now Over 5500 Reviews and (near) Daily Updates!

Wednesday, December 19, 2018

THE BIG COMBO (1955)

No comments:

Labels

A last thought before we go.

DROP ME A LINE