Mario Monicelli’s warts and all (but mostly warts) spoof on noble knights and all things mediæval could have been titled VITTORIO GASSMAN AND THE HOLY GRAIL. Twenty years before Monty Python got there, this large-scale farce on muck & loyalty still comes across with its big battles (bloody & bonkers) and a ridiculous, yet oddly believable, view of the pre-renaissance Middle Ages as human comedy. Gassman, principled master to a motley crew of wandering swordsman (and one Jewish peddler) are heading to his home-base castle at Aurocastro; if they can only get there between warfare (Saracen Pirates; rival Christian Brotherhoods) and the tempting Waiting Ladies (engaged virgins to demur; devouring dominatrix to try on) they come across. Epic Euro-comedies usually aim low and miss, but Monicelli aims down & dirty while taking the high road. (Past pics include BIG DEAL ON MADONNA STREET/’58 and THE ORGANIZER/’63*, so dumb comedy not his style.) No doubt, a lot of laughs get lost in (subtitle) translation, dialect riffs only native Italians will spot*, but more than enough comes thru for the non-cognoscenti.
DOUBLE-BILL/LINK: *Monicelli’s masterpiece, THE ORGANIZER, criminally under-seen. https://maksquibs.blogspot.com/2015/06/i-compagni-organizer-1963.html
ATTENTION MUST BE PAID: *Popular enough in Italy for a sequel : BRANCALEONE ALLE CROCIATE/’70 (not seen here). The original (recently restored) barely got a token Stateside release in 1981.


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