ALL SPOILERS! Skip this if you don’t want to know everything in advance. Better yet, skip the film. Anthony Mackie & Jamie Dornan, joined-at-the-hip New Orleans EMT paramedics, currently inundated with ODs from a new, potent designer drug marketed as ‘Synchronic,’ find this powerful hallucinogenic leaving a wake of dead or disappeared users. Something almost sentient about this pill: its favorite book would have to be A WRINKLE IN TIME; favorite movie BACK TO THE FUTURE. So when Dornan’s teenage girl goes missing from using the stuff (a runaway from home or lost in a time continuum?), perhaps there’s an explanation. Going thru a bad personal patch, Mackie & Dornan may be fighting like an old couple, but hey!, family’s family, and a recent diagnosis of brain cancer emboldens Mackie to test the waters on Synchronic’s metaphysical properties and bring the girl back. Co-directors Justin Benson & Aaron Moorhead (Benson also scripted) play blind man’s bluff with the audience (a spare one, the film tanked) with spooky lighting, creepy score, inexplicably precise time leaps. Really nothing you wouldn’t expect here, dumb genre logic, but cross the line with ‘progressive’ racial tropes long past their sell-by date. From the late ‘50s/early ‘60s, the sacrificial Black Man giving his life to save his White pal* (here the pal's daughter) and, far worse, a revival of the ‘80s/‘90s Magical Negro character. Benson doubling down by setting the climax at some Civil War battle with Mackie mistaken for a runaway slave. Yikes! Pretty good reviews and award action on this one. Go figure.
WATCH THIS, NOT THAT (not that you could find it!): *On a DANNY THOMAS HOUR anthology show from 1967 (‘The Enemy’), Sammy Davis Jr, who got stuck with a lot of sacrificial Black friend to White ‘brother’ roles, outdoes them all in a little WWII drama when he discovers who the Nazi infiltrator is in his army unit after the undercover German agent mispronounces the ‘N’ word as ‘Neigher.’ Sammy risking all to save the unit yelling back ‘It’s Nigger, you Nazi rat! Nigger!.’ (Or something like that; it’s been a while!)
ATTENTION MUST BE PAID: One happy surprise is a neat bit of support (about a scene & a half) from Ramiz Monsef as Synchronic’s remorseful developer, now trying to undo some of the damage.


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