THE OTHER (1972)

It’s as if the director of TO KILL A MOCKINGBIRD/’62 filmed a script by M. Night Shyamalan.  Close, same director, but the script is by former actor Tom Tryon who came up with the Scary Tale, adapted from his own Penny-Dreadful novel.  (And, as exec-producer, probably came up with  the idea of hiring MOCKINGBORD'S Robert Mulligan to helm.)  Together they made the American Gothic/Bad Seed material lyrical & disturbing, a child’s garden of mortality. As the twin boys whose games disrupt life on a Depression-Era farm, Chris & Martin Udvarnoky, in their sole film credit, are a memorable double act of Good & Evil. And they’re surrounded by a host of loamy performances; look for John Ritter in a nice early credit. But it’s the great Uta Hagen, a theatrical legend in her belated screen debut as the twins sympathetic (and guilt-ridden) Grandmother, who makes you believe it. The tech credits belie the pic’s modest budget with lenser Robert Surtees turning the rural landscape into a leading (and willful) character, alternately welcoming & deadly; abetted by music man Jerry Goldsmith who’d soon consolidate his horror bona fides with THE OMEN/’76.