Less deep-dish thought-provoking than advertized; more fun than expected. This piece of Dag Johan Haugerudor’s very Norwegian trilogy on what Cole Porter called ‘the urge to merge with the splurge’ (DREAMS; LOVE the other two, not seen here) is mostly a series of after-the-fact one-on-one conversations between two co-workers (chimney-sweeps of all things; and with the lucky handshake to prove it) or separately, them and their wives. At first, you think you’re eavesdropping on a psychiatrist session as a patient describes a dream both awesome and unsettling. He’s at some social event where he finds himself in the unlikely position of being objectified as a woman (in spite of still being 100% male) by none other than David Bowie. And he’s not sure how he feels about it. (He’s a bit like the draft-dodger in HAIR who, when asked if he’s homosexual, says: I don’t think so, but I wouldn’t kick Mick Jagger out of my bed.) Turns out, we’re not at a psychiatrist’s office, but in a lounge having coffee & confessing to a fellow sweep on the crew. The co-worker's not sure what to make of this either, especially after his recent experience of having a male client come on to him. An invitation he took up . . . and rather liked. Repressed gay? Bisexual? Or just a case of 'when opportunity knocks?' Doesn’t much faze his boss, and didn’t much faze his wife when he told her. Not at first, but now, after a chance to think, it all looks different. And while his boss is mostly concerned about his having sex with a client (that’s not good), the wife now focused on his infidelity; not too thrilled with the gay side either. Crises all ‘round. The film a talk-fest for sure, but neatly paced, naturally acted and rich in reaction. Especially from a couple of medical pros there to treat one bruised vocal cord and one bruised hand. The latter giving the film a real comic jolt between acts two & three. She’s more concerned with menopause & tattoos than with sexual ambivalence. As mentioned, this one very Norwegian! A country where people's shame more likely to center on being a church-going/choir singing Christian.
ATTENTION MUST BE PAID: Does Haugerud tip his hand by making one of the four leads less fit than the other three? The one who’d no longer fit into their high school uniform? A subtle, but noticeable dig.
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