Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Tuesday, May 18, 2021

THE LONELY PASSION OF JUDITH HEARNE (1987)

Now known to a generation or two largely as mistress of the pithy putdown, there’s more to Maggie Smith than is dreamt of in DOWNTON ABBEY’s philosophy.  With unlimited range & expertise across multiple acting disciplines, live on stage from Shakespeare & Molnar to Shaffer & Stoppard, and on film, particularly in smaller projects like this quietly moving character study of a middle-aged spinster falling into genteel poverty (and less genteel alcoholism) at an unwelcoming rooming house of lower-middle-class misérables in ‘50s Dublin.  Judith Hearne had once known better, orphaned and living with well-to-do Aunt Wendy Hiller (in her last feature film), she’s now a target for Gentleman Caller Bob Hoskins, freeloading off his sister at the same rooming house, convinced without cause he can boost a business idea with Hearne’s (nonexistent) savings.  The other characters (at the house; at her relatives; at church) very broadly drawn, needing to make their mark in a scene or two.  But this lack of stylistic unity does help to keep a certain obviousness at bay.  (Keeps things lively, too.  Some of the house ‘guests’ awful beyond expectation.)  But you’re obviously here for Dame Maggie.  So too director Jack Clayton, on his last feature, happy to let Smith take focus whenever possible.  At its best, devastating stuff.

DOUBLE-BILL/LINK: Cinematographer Peter Hannan ought to be better known; this film sandwiched between cult fave WITHNAIL & I/’87 and medium successful A HANDFUL OF DUST/’88. https://maksquibs.blogspot.com/2017/07/a-handful-of-dust-1988.html

No comments: