Marc Forster, who over-egged the sentimental pudding on FINDING NEVERLAND (see below), falls into the same tar pit on this adaptation of Khaled Hosseini’s much loved book. Scene by scene, there’s real emotional pull in this story of boyhood friends from Afghanistan (scion & servant) who are torn apart by class, violence, guilt & war, but it doesn’t add up. Forster’s style might play better if there were some consistency in the performances (we seem to be watching three competing acting companies), and he’s technically unequal to the demands of the final act when the story lurches into suspense mode. Even at those moments when the film does get to you, it all feels pasteurized, like a Hallmark Hall of Fame presentation.
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