W. Somerset Maugham’s near-perfect play has been adapted multiple times for television, but just once as a film, ironically as a silent. Bye-bye witty dialogue; hello explanatory prologue and a conventional resolution that completely reverses Maugham’s main point. Dire as it sounds, this Frank Borzage project is still a treat; and not so far off the spirit of the play as you might assume. Our Story: Thirty years ago Lady Cheney ran off with love-of-her-life Lord Porteous, the best decision she ever made and the greatest mistake of her life. Now, the scandalous pair have come home at long last for a visit only to find Lady Cheney’s daughter-in-law hellbent on repeating the pattern, running away from a dreary husband (Lady Cheney’s own deserted son) to live in exiled sin with the love of her life. But before the die is cast, this young lady wants to see if the old pair lived up to her happily-ever-after fantasies. To say they don’t hardly begins to cover it. A ghastly couple; crass, bickering, painted up like gargoyle parodies of their romantic youth. A lesson learned? Not bloody likely. Beautiful Eleanor Boardman & Malcolm McGregor are the handsome young lovers, nerdy Creighton Hale the cuckold husband, George Fawcett & Eugenie Besserer the dilapidated returnees. Great fun; with a well-preserved print, a superb new score by Garth Neustadler, and a very early appearance by Joan Crawford as the young Lady Cheney in the prologue.
DOUBLE-BILL/LINK: 1925 brought an even more unlikely silent film triumph in somewhat similar vein when Oscar Wilde’s epigrammatic LADY WINDERMERE’S FAN became a silent film masterpiece from Ernst Lubitsch. https://maksquibs.blogspot.com/2013/10/lady-windermeres-fan-1925.html
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