Standard issue Lon Chaney feature (from a hit 1923 David Belasco play starring Lionel Barrymore & new wife Irene Fenwick*), follows a master clown who can’t stop crying off-stage, and a wealthy young Count whose dissipated life left him vulnerable to uncontrollable fits of laughter. A doctor suggests love as a cure, unaware the one thing these men have in common is the object of their passion, 15-yr-old Loretta Young. Raised as a foundling by Chaney, he’s only recently noticed the girl has become a beautiful young woman. While the Count (Nils Asther), who once drunkenly forced his attentions on her, now chastely offers love & marriage. Unaware of any connection, the two men laugh & cry their way to health, their ying/yang temperaments a balm between them before the impasse is discovered. (A missing reel #4 possibly weakening this part of the story.) The bosom buddies each offer renunciation, but overseen love-making leads to the inevitable clown liebestod. Atmospherically handled by director Herbert Brenon & cinematographer James Wong Howe (fabulous back-stage and deep focus angles), Chaney’s usual masochism tempered by melancholy rather than horror or revenge. A bit slighter than other late-silent Chaneys*, but still effective. Excellent preserved film elements, too. Look for a Turner Classic edition newly scored by H. Scott Salinas.
DOUBLE-BILL/LINK: *Pivoting between monsters & third-wheel types, Chaney’s best-remembered roles combined the two in HUNCHBACK OF NOTRE DAME/’23 and PHANTOM OF THE OPERA/’25. Best known, but not his best. For delayed revenge: Victor Sjöström’s pageant like HE WHO GETS SLAPPED/’24. For unrequited love: George W. Hill’s exceptionally naturalistic TELL IT TO THE MARINES/’26. And for pure malevolent masochism, Tod Browning’s THE UNKNOWN/’27, silent Hollywood’s sickest mainstream movie. OR: *After Chaney’s early death, Lionel Barrymore took on remakes & obvious Chaney vehicles like MARK OF THE VAMPIRE/’35 and THE DEVIL DOLL/’36. https://maksquibs.blogspot.com/2009/12/devil-doll-1936.html
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