This standard issue casino caper from dependably mediocre French director Henri Verneuil likely got an undeserved critical bump from having Old Guard cinematic royalty meet New in co-stars Jean Gabin and Alain Delon. Gabin, as fat & reserved as he ever got, is a just released recidivist, home after twenty years to a world he doesn’t recognize and a long-planned robbery he plans to retire on. But with his old partner in dicey health, he needs a young replacement to act as ‘inside’ man. Enter fellow jailbird Delon (punked out in leather motorcycle jacket), joined by his brother-in-law, who’ll act as driver. Paint-by-numbers stuff (in tone, if not plot, it’s close to Jean-Pierre Melville’s superior breakthru caper pic BOB LE FLAMBEUR/’56 (https://maksquibs.blogspot.com/2022/08/bob-le-flambeur-1956.html); in detail & silent set piece robbery, filched, as usual, from Jules Dassin’s RIFIFI/’55. That’s all fine, if only it generated the suspense it thinks it is. Verneuil’s helming nearly as impassive as Gabin at rest.
WATCH THIS, NOT THAT/LINK: In addition to the titles mentioned above, Gabin, Delon & Verneuil, now with Lino Venturi, reunited to better effect (Gabin positively mobile) in THE SICILIAN CLAN/’69. https://maksquibs.blogspot.com/2023/04/the-sicilian-clan-le-clan-des-siciliens.html
SCREWY THOUGHT OF THE DAY: The ironic ending (it’s NOT have your cake and NOT eat it, too), popular back when you had to punish thieves to get a film released, and a particular favorite of John Huston.
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