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Monday, August 19, 2024

MÉLODIE EN SOUS-SOL / ANY NUMBER CAN WIN (1963)

This standard issue casino caper from dependably mediocre French director Henri Verneuil likely got an undeserved critical bump from having Old Guard cinematic royalty meet New in co-stars Jean Gabin and Alain Delon.  Gabin, as fat & reserved as he ever got, is a just released recidivist, home after twenty years to a world he doesn’t recognize and a long-planned robbery he plans to retire on.  But with his old partner in dicey health, he needs a young replacement to act as ‘inside’ man.  Enter fellow jailbird Delon (punked out in leather motorcycle jacket), joined by his brother-in-law, who’ll act as driver.  Paint-by-numbers stuff (in tone, if not plot, it’s close to Jean-Pierre Melville’s superior breakthru caper pic BOB LE FLAMBEUR/’56 (https://maksquibs.blogspot.com/2022/08/bob-le-flambeur-1956.html); in detail & silent set piece robbery, filched, as usual, from Jules Dassin’s RIFIFI/’55.  That’s all fine, if only it generated the suspense it thinks it is.  Verneuil’s helming nearly as impassive as Gabin at rest.  

WATCH THIS, NOT THAT/LINK:  In addition to the titles mentioned above, Gabin, Delon &  Verneuil, now with Lino Venturi, reunited to better effect (Gabin positively mobile) in THE SICILIAN CLAN/’69.  https://maksquibs.blogspot.com/2023/04/the-sicilian-clan-le-clan-des-siciliens.html

SCREWY THOUGHT OF THE DAY:  The ironic ending (it’s NOT have your cake and NOT eat it, too), popular back when you had to punish thieves to get a film released, and a particular favorite of John Huston.

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