MAKSQUIBS CINEMATHEQUE: INTERLUDE (1957)

LABELS

There are (currently) eight different LABELS to look for on MAKSQUIBS.

CONTEST - Win a review of any available DVD or 'Streamer' of your choice* if you're the first to answer a Q attached to one of the write-ups. Please refrain from either Googling or searching for an answer via IMdB or other web movie services! These contests are plenty easy to solve just be using your little grey cells.

RECOMMENDED - Meaning Strongly Recommended. A film that's good enough or historically important enough to demand viewing. WARNING: A few real stinkers are important enough to rate this label. And, on the other hand, lots of pretty good or pretty valuable films, don't quite measure up to our RECOMMENDED level. (See also UNIQUE, below.)

FAMILY FRIENDLY - CAREFUL!! Not necessarily a KIDDIE pic, but a film that school kids may get into if the subject interests. You'll find foreign & silent pics in here as the need to read the sub-titles & inter-titles to follow the narrative and get all the jokes does wonders for ADD types.

LINK - To quickly find any Write-Up that includes an InterNet Link of interest for that specific film.

UNIQUE - Films that may not fit into the usual critical categories of Good, Bad or Indifferent, (certainly not indifferent!), but are worth watching because there just ain't nothing like 'em. Sui generis pics. (Phooey generis if they don't work for you.)

READ ALL ABOUT IT - While there's a book or two (or ten dozen) closely related to just about any film you might think of, here's a specific book you might not have known about (or thought of) that opens a window on the chosen title.

SCREWY THOUGHT OF THE DAY - A place to vent those out-of-left-field thoughts.

POSTER - Hmm, I bet you can figure this one out.

(Hint: most of the posters will enlarge if you click on them.)

WATCH THIS, NOT THAT - sort of like those EAT THIS, NOT THAT diet books only with film instead of food as the topic. Sometimes, the substitute pick isn't the obvious 'better' choice, but one of those 'flawed-but-interesting' films that often get left behind.

ATTENTION MUST BE PAID - some easy to miss element worth noting.

SILENT FILM - hey, figure it out (LOL)

. . . and DOUBLE-BILL - a suggested second feature.

To bring up the complete list in any of these categories, simply click on one of the LABELS when you come across one and everything with that designation will come up when the page reloads. Just scroll down. There's also a LABELS list near the bottom of all the pages.

Please let me know if there are any other LABELS you'd like to see.

AND YOU'RE DOING ALL THIS BECAUSE . . . ?

Like just about everyone with an interest in the movies, I'm watching more films on DVD and going out to movie houses a lot less. Convenience trumps the better experience.
Of course, you lose audience interaction and the poor film now has to compete with all the comforts of home.
It's a bit like seeing Rembrandts & Titians in a book reproduction, or from posters with iffy color values, no texture or weight to the surface and the wrong dimensions . . . all while snacking on chips & soda. (Oops! You get that at your local cinema,too.)
The ease of instant movie gratification risks turning an art form (well, sometimes) into little more than low-grade eye-candy & mindfodder. So, maybe it's worthwhile to write a bit down on what we're all viewing, just to keep fully engaged.

DVDs: the latest opiate of the people meets the internet, where everyone's a critic.
God help us.

Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Friday, December 20, 2024

INTERLUDE (1957)

Second (and least) of three 1930s John M. Stahl films remade in the ‘50s by Douglas Sirk for Universal producer Ross Hunter. (Hunter likely brought all three to Sirk’s attention.) The other two much better known and all four films hold interest: MAGNIFICENT OBSESSION/’35 ‘54 and IMITATION OF LIFE/’34; ‘59; but INTERLUDE (WHEN TOMORROW COMES in 1939) doesn’t take nearly as well to Sirk stylistics with its light romance & CinemaScope travelogue elements in & around Salzburg reacting negatively once it receives a Gothic blood transfusion right out of JANE EYRE. Plain Jane (or rather June) Allyson is an American in Germany who drops the nice all-American doctor everyone assumes she’s going to marry when Rossano Brazzi’s famous symphonic conductor sets eyes on her. But all ain’t smooth sailing because . . . he’s already married. (Of course.) Worse, his wife is rapidly going insane. (Does that make it okay?) And as there’s no castle tower to lock her up in, furtive romance is the best Brazzi can offer. Stahl was luckier with his leads: Irene Dunne & Charles Boyer, just off LOVE AFFAIR/’39, are far more comfortable & charming together; and somehow making Boyer a classical pianist rather than a conductor, adds intimacy to Stahl’s straightforward style on b&w studio sets rather than TechniColor overseas locations. And Dunne, a waitress who happens to sing Schubert, brings common-sense & common-sensibility to the impossible situation. Allyson weirdly overdressed all thru the film even feels physically uncomfortable. To their credit, both films aim for adult tones with unresolved endings, but it sure worked better in ‘39.

ATTENTION MUST BE PAID: Brazzi is better than most actors who pretend to conduct, but why do they all signal on the beat, rather than lead/anticipate? European conductors in particular almost comically ahead of the musicians response. (Maybe that’s why they do it this way in film.)

DOUBLE-BILL/LINK: James Cain’s novel was used yet again (INTERLUDE/’68) with Oskar Werner as the conductor (not seen here), but stick to Boyer/Dunne in WHEN TOMORROW COMES. (Use the MAKSQUIBS Search Box to find the other Stahl/Sirk originals & remakes.) https://maksquibs.blogspot.com/2020/10/when-tomorrow-comes-1939.html

MAKSQUIBS CINEMATHEQUE

Translate

ERNST LUBITSCH

LABELS

Blog Archive

AND YOU'RE DOING ALL THIS BECAUSE . . . ?

. . . a brief note on abbreviations . . .

About Me

Now Over 5500 Reviews and (near) Daily Updates!

Friday, December 20, 2024

INTERLUDE (1957)

No comments:

Labels

A last thought before we go.

DROP ME A LINE