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Friday, February 21, 2025

MY NAME IS ALFRED HITCHCOCK (2022)

Smart, cleverly built essay film, Mark Cousins’ witty Alfred Hitchcock bio-doc, mostly concerned with themes & stylistics, but also touching on his personal life, is both the real thing and a big fake-out.  Its voice-over script read by a Hitchcock impersonator (who thankfully doesn’t overdo it*), Cousins takes real quotes from myriads of interviews and arranges them to cover five major themes over a five+ decade career.  Supported by film & home movie clips, all high quality resolution, with even the troublesome ‘60s Universal color processing triumphantly overcome.  They didn’t look this good on initial release.  Are they this refined on the latest Blu-Ray editions?  (Perversely, the always great looking VistaVision colors turn up looking a bit ‘hot.’)  Cousins generously includes clips from often ignored pics (dissed titles range from THE FARMER’S WIFE/’28 to TORN CURTAIN/’66) to show repeated motifs and revealing camera moves.  Little deep dish theorizing or attempts to rewrite the canon, just fresh-as-paint prints getting a bit of near revelatory attention.  Fun!

DOUBLE-BILL:  Most Hitchcock interviews find him speaking more haltingly than this impersonator does.  But The Master can be heard speaking just as fluidly in a delightful one-off tour he filmed for a little U.K. film society in THE WESTCLIFF CINE CLUB VISITS MR HITCHCOCK IN HOLLYWOOD/’63.  Currently hard to find unless you’re in the U.K. where it’s available for free at the BFI site.

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