MAKSQUIBS CINEMATHEQUE: RETURN OF THE BAD MEN (1948)

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FAMILY FRIENDLY - CAREFUL!! Not necessarily a KIDDIE pic, but a film that school kids may get into if the subject interests. You'll find foreign & silent pics in here as the need to read the sub-titles & inter-titles to follow the narrative and get all the jokes does wonders for ADD types.

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(Hint: most of the posters will enlarge if you click on them.)

WATCH THIS, NOT THAT - sort of like those EAT THIS, NOT THAT diet books only with film instead of food as the topic. Sometimes, the substitute pick isn't the obvious 'better' choice, but one of those 'flawed-but-interesting' films that often get left behind.

ATTENTION MUST BE PAID - some easy to miss element worth noting.

SILENT FILM - hey, figure it out (LOL)

. . . and DOUBLE-BILL - a suggested second feature.

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Like just about everyone with an interest in the movies, I'm watching more films on DVD and going out to movie houses a lot less. Convenience trumps the better experience.
Of course, you lose audience interaction and the poor film now has to compete with all the comforts of home.
It's a bit like seeing Rembrandts & Titians in a book reproduction, or from posters with iffy color values, no texture or weight to the surface and the wrong dimensions . . . all while snacking on chips & soda. (Oops! You get that at your local cinema,too.)
The ease of instant movie gratification risks turning an art form (well, sometimes) into little more than low-grade eye-candy & mindfodder. So, maybe it's worthwhile to write a bit down on what we're all viewing, just to keep fully engaged.

DVDs: the latest opiate of the people meets the internet, where everyone's a critic.
God help us.

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Saturday, August 16, 2025

RETURN OF THE BAD MEN (1948)

From R.K.O., a big boned Western with the soul of a pint-sized programmer; the epic and the mundane canceling each other out under Ray Enright’s solid but faceless direction. Up against the most famous Outlaw Brothers in the West (the Jameses, the Youngers, the Daltons; plus one sister*), Randolph Scott delays his move to California (with fiancée Jacqueline White) to help maintain order during the Oklahoma Land Rush. A segment likely put together with footage from R.K.O.’s Oscar® winning CIMARRON/’31, just the sort of prestige piece this film would like to be. With comic relief supplied by George 'Gabby' Hayes’ banker and loads of fellow program Western stars, Robert Ryan stands out a mile as main villain Sundance Kid. Put in this company, Ryan’s so powerfully modern he overwhelms everything around him. A post-war element (that’s post-WWII not post-Civil War) breaking the Hollywood model for these things.

WATCH THIS, NOT THAT/LINK: *Producer/writer/actor Stacy Keach and undervalued director Walter Hill managed to corral real brothers Keach, Carradine and Quaid to play all these brothers in THE LONG RIDERS/’80. https://maksquibs.blogspot.com/2020/02/the-long-riders-1980.html

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A last thought before we go.

Well, enough from me. But before we sign off, here's a great quote from Emile Zola's L'OEUVRE (THE MASTERPIECE), which is about painting rather than the yet to be invented medium of film, but which points a fine critical eye toward the whole idea of art criticism. It's a good, if chilly, thought to keep in mind, especially when you surf the net.

"Has it ever struck you that posterity may not be the fair, impartial judge we like to think it is?

"Suppose the artist's paradise turned out to be as nonexistent as the Catholics, and future generations prove just as misguided as the present one and persisted in liking pretty pretty dabbling better than honest to goodness painting. There are some accepted masterpieces for which I myself wouldn't give a twopenny damn.

"Classical training has given us a wrong view of everything and forces us to acclaim as geniuses a lot of fellows who are no more than well-balanced, facile painters, while what we might really prefer is the work of more emancipated but less even artists known only to an initiated few. Immortality at present depends entirely on the average, middle-class mind and is reserved only for the names that have been most forcibly impressed upon us while we were still unable to defend ourselves...

"Perhaps that's the sort of thing that's best left unsaid. It's certainly the sort of thing that gives me the shudders!"- Emile Zola

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Now over 6000 Reviews and (near) Daily Updates!

Saturday, August 16, 2025

RETURN OF THE BAD MEN (1948)

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A last thought before we go.

DROP ME A LINE