Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Thursday, May 29, 2008

PURLIE VICTORIOUS/aka: GONE ARE THE DAYS (1963)

With a cheery nod toward Synge ’s PLAYBOY OF THE WESTERN WORLD, Ossie Davis wrote himself (and wife Ruby Dee) a big hit in this comic fable about a Georgia Preacher Man who schemes to claim his rightful inheritance from a bigoted Southern plantation boss-man. This being a product of ‘60s Civil Rights Days, the deus ex machina turns out to be a forward-thinking white boy (Alan Alda, natch). That’s not all that’s dated in this low-budget adaptation that’s filmed like a 'Golden Age of Television' show, but with better lighting thanks to lensing legend Boris Kaufman. It’s a kick to see Ossie Davis in dynamic Sidney Poitier mode & any chance to watch Godfrey Cambridge should be grabbed, but it's mighty heavy going at times.

No comments: