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Wednesday, May 5, 2021

THE UNDERCOVER MAN (1949)

In spite of breakout success with B-pic thriller MY NAME IS JULIA ROSS/’45, star Nina Foch and director Joseph H. Lewis never did reach the A-list*, plateauing on B+ budgets like this trim film noir about Treasury Department agent Glenn Ford (and team) taking down a Big City Mob Syndicate.  Split between IRS procedural efforts to nail down a paper trail for all those unpaid taxes (3 mill owed from illegal betting, protection rackets, counterfeit goods) and threatening set pieces (a humdinger kidnapping/rubout attempt at the climax), with plotting and strategy as clearly laid out & easy to follow as Ford’s classic noir GILDA/’46 was opaque.  Just not as fun, not as sexy, not as exciting, not as dumbfounding . . . and missing Rita Hayworth something awful.  Sense & sensibility not a necessity in these things.  Still, worth a watch, with good support on both sides of the camera.  If only the mob boss wasn’t nicknamed The Big Fellow.  (Not exactly Scarface memorable.*)  And if that sweet Italian grandmother didn’t rescue the operation with a long speech (in Italian!) about her dream of America.

ATTENTION MUST BE PAID: *Foch only hitting the A-list in supporting roles.

DOUBLE-BILL/LINK:  Something of a trial run for Lewis’s superior noir, THE BIG COMBO/’55.  https://maksquibs.blogspot.com/2018/12/the-big-combo-1955.html

SCREWY THOUGHT OF THE DAY: *Odd title for a film that doesn’t send anyone undercover.  Maybe the guy who came up with the title also thought ‘Big Fellow’ would make a catchy mob nickname.

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