Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Friday, May 16, 2008

THE CONVERSATION (1974)

Coppola’s disquieting film about a guilt-ridden surveillance man who breaks his code, gets personally involved, then finds he’s read the tea leaves wrong, no longer looks quite the masterpiece once thought. The plot’s O’Henryesque twist feels like a denouement from a Twilight Zone episode. But it has ‘70s paranoid atmosphere to burn and is meticulously put together, above & below the line. Fun to see all those supporting players in their baby-fat days (Harrison Ford, Cindy Williams, Teri Garr, Frederic Forrest), and Hackman’s control and definition are the stuff of legend.

SCREWY THOUGHT OF THE DAY: Big plot hole has Hackman inviting people into his workspace for an impromptu, alcohol-laden  party.  Something his character would never (but never) do.

DOUBLE-BILL: The obvious pairing is Antonioni's BLOW-UP/'66, but Arthur Penn's NIGHT MOVES/'75, also starring Gene Hackman, and tackling similar ideas, deserves far more attention than it gets.  (Just as the card game Hearts might be called Bridge-for-Babies; think of THE CONVERSATION as BLOW-UP-for-Babies.)

No comments: