Coppola’s disquieting film about a guilt-ridden surveillance man who breaks his code, gets personally involved, then finds he’s read the tea leaves wrong, no longer looks quite the masterpiece once thought. The plot’s O’Henryesque twist feels like a denouement from a Twilight Zone episode. But it has ‘70s paranoid atmosphere to burn and is meticulously put together, above & below the line. Fun to see all those supporting players in their baby-fat days (Harrison Ford, Cindy Williams, Teri Garr, Frederic Forrest), and Hackman’s control and definition are the stuff of legend.
SCREWY THOUGHT OF THE DAY: Big plot hole has Hackman inviting people into his workspace for an impromptu, alcohol-laden party. Something his character would never (but never) do.
DOUBLE-BILL: The obvious pairing is Antonioni's BLOW-UP/'66, but Arthur Penn's NIGHT MOVES/'75, also starring Gene Hackman, and tackling similar ideas, deserves far more attention than it gets. (Just as the card game Hearts might be called Bridge-for-Babies; think of THE CONVERSATION as BLOW-UP-for-Babies.)
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