Now Over 5500 Reviews and (near) Daily Updates!

WELCOME! Use the search engines on this site (or your own off-site engine of choice) to gain easy access to the complete MAKSQUIBS Archive; more than 5500 posts and counting. (New posts added every day or so.)

You can check on all our titles by typing the Title, Director, Actor or 'Keyword' you're looking for in the Search Engine of your choice (include the phrase MAKSQUIBS) or just use the BLOGSPOT.com Search Box at the top left corner of the page.

Feel free to place comments directly on any of the film posts and to test your film knowledge with the CONTESTS scattered here & there. (Hey! No Googling allowed. They're pretty easy.)

Send E-mails to MAKSQUIBS@yahoo.com . (Let us know if the TRANSLATE WIDGET works!) Or use the Profile Page or Comments link for contact.

Thanks for stopping by.

Saturday, May 17, 2008

DAVID COPPERFIELD (1935)


One of the miracles of Golden Age Hollywood, a pitch-perfect adaptation of Dickens that rivals the novel at wringing fear, sentiment & howls of laughter at every turn. W. C. Fields ’ Micawber is all but legendary, but what of Basil Rathbone, Edna May Oliver ("DONKEYS! DONKEYS!) and the amazingly strange Lennox Pawle as Mr Dick? Helmer George Cukor can’t quite maintain the magic once Freddie Bartholomew’s David grows into the rather ordinary Frank Lawton, but that’s when we get to Lewis Stone ’s dipsomaniac cameo, Roland Young’s creepy Uriah Heep and Maureen O’Sullivan, who let’s us understand what David sees in Dora. Producer David O Selznick is always feted for his years as an independent producer, but his credits during his brief run at M-G-M show off his talents equally well. He even was able to jazz up some of the usual M-G-M technical conformity, have a look at some of the nifty editing choices on this one.

No comments: