MAKSQUIBS CINEMATHEQUE: THE EDUKATORS (2004)

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Like just about everyone with an interest in the movies, I'm watching more films on DVD and going out to movie houses a lot less. Convenience trumps the better experience.
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It's a bit like seeing Rembrandts & Titians in a book reproduction, or from posters with iffy color values, no texture or weight to the surface and the wrong dimensions . . . all while snacking on chips & soda. (Oops! You get that at your local cinema,too.)
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DVDs: the latest opiate of the people meets the internet, where everyone's a critic.
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Sunday, May 18, 2008

THE EDUKATORS (2004)

Well received German film (with a plot that recalls THE HAPPENING/'67, if you can believe it, and a sexual sub-test right out of DESIGN FOR LIVING) follows three anti-capitalist demonstrators (soft-hearted modern anarchists) as they botch one of their stunt break-ins and watch helplessly as it evolves into a kidnapping. The characterizations are pleasingly non-doctrinal, but co-writer/director Hans Weingartner has to force his plot along with stupid/hard-to-believe choices from his protagonists. And, at over two hours, the film runs out of steam long before he reaches his unfortunate tricked-up ending.

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A last thought before we go.

Well, enough from me. But before we sign off, here's a great quote from Emile Zola's L'OEUVRE (THE MASTERPIECE), which is about painting rather than the yet to be invented medium of film, but which points a fine critical eye toward the whole idea of art criticism. It's a good, if chilly, thought to keep in mind, especially when you surf the net.

"Has it ever struck you that posterity may not be the fair, impartial judge we like to think it is?

"Suppose the artist's paradise turned out to be as nonexistent as the Catholics, and future generations prove just as misguided as the present one and persisted in liking pretty pretty dabbling better than honest to goodness painting. There are some accepted masterpieces for which I myself wouldn't give a twopenny damn.

"Classical training has given us a wrong view of everything and forces us to acclaim as geniuses a lot of fellows who are no more than well-balanced, facile painters, while what we might really prefer is the work of more emancipated but less even artists known only to an initiated few. Immortality at present depends entirely on the average, middle-class mind and is reserved only for the names that have been most forcibly impressed upon us while we were still unable to defend ourselves...

"Perhaps that's the sort of thing that's best left unsaid. It's certainly the sort of thing that gives me the shudders!"- Emile Zola

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Sunday, May 18, 2008

THE EDUKATORS (2004)

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A last thought before we go.

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