MAKSQUIBS CINEMATHEQUE: MOGAMBO (1953)

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(Hint: most of the posters will enlarge if you click on them.)

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Like just about everyone with an interest in the movies, I'm watching more films on DVD and going out to movie houses a lot less. Convenience trumps the better experience.
Of course, you lose audience interaction and the poor film now has to compete with all the comforts of home.
It's a bit like seeing Rembrandts & Titians in a book reproduction, or from posters with iffy color values, no texture or weight to the surface and the wrong dimensions . . . all while snacking on chips & soda. (Oops! You get that at your local cinema,too.)
The ease of instant movie gratification risks turning an art form (well, sometimes) into little more than low-grade eye-candy & mindfodder. So, maybe it's worthwhile to write a bit down on what we're all viewing, just to keep fully engaged.

DVDs: the latest opiate of the people meets the internet, where everyone's a critic.
God help us.

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Sunday, May 25, 2008

MOGAMBO (1953)

Remake of RED DUST/’32, with Clark Gable stepping manfully back into his old role some two decades on. And it’s just about his best post-WWII outing. With earthy Ava Gardner & aristocratic Grace Kelly fighting over him (in roles originated by Jean Harlow & Mary Astor) & African game trapping substituting for the old rubber plantation, the film is unexpectedly successful on every front. Stunningly shot by Robert Surtees & Freddie Young, it nicely demonstrates what a superb craftsman John Ford could be even when just working as a hired hand. Or as he would put it, 'doing a job of work.' As a bonus for his honest labors, Ford fell just a bit in love with Gardner, which shows up in extra/ad-libbed shots of her showing off her astonishing beauty & her natural/unexpected grace with all those animals. You'll fall for her, too.

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A last thought before we go.

Well, enough from me. But before we sign off, here's a great quote from Emile Zola's L'OEUVRE (THE MASTERPIECE), which is about painting rather than the yet to be invented medium of film, but which points a fine critical eye toward the whole idea of art criticism. It's a good, if chilly, thought to keep in mind, especially when you surf the net.

"Has it ever struck you that posterity may not be the fair, impartial judge we like to think it is?

"Suppose the artist's paradise turned out to be as nonexistent as the Catholics, and future generations prove just as misguided as the present one and persisted in liking pretty pretty dabbling better than honest to goodness painting. There are some accepted masterpieces for which I myself wouldn't give a twopenny damn.

"Classical training has given us a wrong view of everything and forces us to acclaim as geniuses a lot of fellows who are no more than well-balanced, facile painters, while what we might really prefer is the work of more emancipated but less even artists known only to an initiated few. Immortality at present depends entirely on the average, middle-class mind and is reserved only for the names that have been most forcibly impressed upon us while we were still unable to defend ourselves...

"Perhaps that's the sort of thing that's best left unsaid. It's certainly the sort of thing that gives me the shudders!"- Emile Zola

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ERNST LUBITSCH

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Now Over 5500 Reviews and (near) Daily Updates!

Sunday, May 25, 2008

MOGAMBO (1953)

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A last thought before we go.

DROP ME A LINE